Jisoo Jit Seo 서지수


Jisoo Jit Seo (b.1996, Seoul)  is a Korean visual artist and an art writer. She explores the relationship between post-humanism, neo-capitalism and the post-internet era. Based on her interest in technology and digital culture, Jit Seo aims to create a visual and auditory discourse about our lives and their impact on the world we live in through photography, sound and text.

Jit Seo holds a MA in Fine Art from Chelsea College of Arts, UAL and a BA in Textile Design. She is currently a PhD student of the Interdisciplinary Course for Studies of Art at Sungkyunkwan University, Seoul. Her work has been exhibited internationally in Korea, Germany and the UK, among others. She received a grant from the Arts Council Korea in 2022 for her project, 'Softness: An Alternative Paradigm of Technology.‘

Text: Vera Hadzhiyska

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Jisoo Jit Seo 서지수


Jisoo Jit Seo (b.1996, Seoul)  is a Korean visual artist and an art writer. She explores the relationship between post-humanism, neo-capitalism and the post-internet era. Based on her interest in technology and digital culture, Jit Seo aims to create a visual and auditory discourse about our lives and their impact on the world we live in through photography, sound and text.

Jit Seo holds a MA in Fine Art from Chelsea College of Arts, UAL and a BA in Textile Design. She is currently a PhD student of the Interdisciplinary Course for Studies of Art at Sungkyunkwan University, Seoul. Her work has been exhibited internationally in Korea, Germany and the UK, among others. She received a grant from the Arts Council Korea in 2022 for her project, 'Softness: An Alternative Paradigm of Technology.‘

Text: Vera Hadzhiyska

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Group Exhibition


FORKING ROOM 2004 HYPER SUPER X-LARGE ... BOOM!!
19/4/2024 - 27/4/2024



Post Territory Ujeongguk, Seoul, South Korea 


The word LARGE applies to everything. Not just AI mega-models, but also to the size of datasets, data augmentation, parameter values, the growth of service users, fake news, labor exploitation, trust and ethics issues, etc. We want to think about whether these pluses fill in or replace something we already have and if so, to what extent(). In Forking Room 2024 – … !, we reflect on what we gain and lose in this . If technology is replacing or augmenting something that already exists, then perhaps we need to look beyond the relative notion of “large” and try to draw a scale of intercompatibility. As a strategy for navigating this extreme, we invite and present the works and researches of artists and researchers who are revealing phenomena with their own sense of scale.



Text: Minhyung Kang