Jisoo Jit Seo 서지수


Jisoo Jit Seo (b.1996, Seoul)  is a Korean visual artist and an art writer. She explores the relationship between post-humanism, neo-capitalism and the post-internet era. Based on her interest in technology and digital culture, Jit Seo aims to create a visual and auditory discourse about our lives and their impact on the world we live in through photography, sound and text.

Jit Seo holds a MA in Fine Art from Chelsea College of Arts, UAL and a BA in Textile Design. She is currently a PhD student of the Interdisciplinary Course for Studies of Art at Sungkyunkwan University, Seoul. Her work has been exhibited internationally in Korea, Germany and the UK, among others. She received a grant from the Arts Council Korea in 2022 for her project, 'Softness: An Alternative Paradigm of Technology.‘

Text: Vera Hadzhiyska

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Jisoo Jit Seo 서지수


Jisoo Jit Seo (b.1996, Seoul)  is a Korean visual artist and an art writer. She explores the relationship between post-humanism, neo-capitalism and the post-internet era. Based on her interest in technology and digital culture, Jit Seo aims to create a visual and auditory discourse about our lives and their impact on the world we live in through photography, sound and text.

Jit Seo holds a MA in Fine Art from Chelsea College of Arts, UAL and a BA in Textile Design. She is currently a PhD student of the Interdisciplinary Course for Studies of Art at Sungkyunkwan University, Seoul. Her work has been exhibited internationally in Korea, Germany and the UK, among others. She received a grant from the Arts Council Korea in 2022 for her project, 'Softness: An Alternative Paradigm of Technology.‘

Text: Vera Hadzhiyska

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Solo Exhibition


수평적 소통HORIZONTAL CONVERSATION
08/12/2020 - 27/12/2020



Seongbuk Young Arts Space 성북예술창작터 윈도우갤러리, Seoul, KR


<Horizontal Communication> (2020) is a research-based digital footage that originates from the experience of the contemporary body transitioning from a material existence to an immaterial one in a society where digital has become an inevitable means of communication. This work encapsulates various layers of cosmology. As forms in our surroundings, such as objects, places, time, and distance, gradually dematerialize, humanity is confronted with the experience of transforming into data. This curiosity explores how the essence of nature can be shaped within digital devices, especially when individuals are replaced by material.


Visually, it reflects the movement of ants. Ants are cooperative, organic, and resilient beings. The digital algorithms we find useful also draw inspiration from the order of ants and have historically imparted much wisdom to humanity. Ants are the sole survivors of the 1991 artificial biosphere experiment, an attempt to transcend ecosystems. The artist expresses profound admiration and respect for them, aiming to observe what horizontal relationships entail and the rhythm from which cooperation originates. This mirrors the survival rhythm in today's digitally composed artificial biosphere.